Sunday, October 11, 2009

Analysis of the Corset: Early Corset History

The corset receives innumerable amounts of criticism

The origins of the corset go far back to the beginnings of dress as we know it. Many samples of what appear to be archaic corsets consisted of pieces of leather laced together with the intention of being tied around the ribs and waist. In essence, this was used as a primitive form of "armor" - the lifting of an arm above the head to throw a spear or wield a sword makes the torso of the body extremely vulnerable to sneak-attack piercings. Leather was often used as a tough barrier between the skin and the elements. Although we now know how veritably useless a leather corset for protection is these days, it was all ancient peoples may have had.

This early form of corsetry kept everything in place as well. In a time without bras, girdles, braces, belts and Sealy Posturepedic mattresses, these two pieces of leather laced in front and back came in very useful.

It is stupid to think that the corset was created merely for the sexual appeal we associate it with today. Erogenous zones come and go and while the corset ultimately becomes a symbol of sexuality (primarily in the female domain), it never began as such. Early forms of the corset were not nearly as painful to wear or constrictive as some of the later versions (Elizabeth I never had a 17 inch waist). Although many metal corsets have been found, these were definitely the exception to the norm, and may have even been worn for ceremonial purposes (such as family representation on the battlefield) over a woman's dress.

Corset cutting, c. 1650 (courtesy of Artstor.org)
Iron corset, c. 16th century, courtesy of wikipedia.org

In my history of fashion class, my professor went in-depth on the concept of clothing as armor back in the Renaissance and Baroque periods. The idea of everyday clothing being "segmented", slashed and puffed and tailored separately to create the pieced look of armor, as if to make one look strong on and off the battlefield. A woman's equivalent to armor is the corset - it protects her core, forces her to look stiff and rigid, not slouched and weak. It is a symbol of wealth, privilege and authority. By its wearing, a woman asserts her position as a person of high rank, not to be mistaken as someone who toils in the fields. As my professor so aptly put it, "The corset is about power, not sex".

And let's not forget, the corset was androgynous at first. Many evolutions of chest and torso armor emulate that of the corset. Indeed, torso armor is more difficult to maneuver in than corsets of the time, being pure metal as opposed to the softer materials women wore. When off the battlefield, it was also known for men to wear corsets to obtain straight posture - if not a corset then a looser fitting material wrapped several times to get the same effect. In the early 19th century, Dandies made the corset more fashionable for men to wear than women (many women of the time shed their corsets altogether, as men began to cinch their waists instead). Even up until the 1920s, men wore braces eerily similar to corsets for "medical" reasons.
So think twice before criticizing the corset and what it has done to demean femininity (or exploit it, or enhance it, etc, etc...). Its origins are not so captive, as it may seem.

Saturday, October 3, 2009

Blue Jean Culture and Transformation in 20th Century Czech History

I know, it's been a while. But it's been a BUSY while in that respect, I hardly have time to myself anymore. Actually, I've done a couple of things worth posting but I never seem to have time to sit down and like, sort everything out into readable structures. Here is one of my latest endeavors, an oral research proposal for the Costume Society of America's national symposium in March. Let's see if they like it, I hope you do too!

CSA Abstract Proposal: Blue Jean Culture and Transformation in 20th Century Czech History

Blue jeans have remained symbolic in the Czech Republic throughout recent history, especially during times of particular turbulence. Under the harsh Communist regime, denim garments and accessories provided a source of hope associated with Western European values (Hlaváčková, 2007: 38). During the 1960s, jeans were difficult to obtain for Czechs and were often sold on the black market in exchange for foreign currency, or used as a barter item by Western tourists. In the 1970s, hardline Communist leaders tried to ban the jean production and the wearing of jeans however, these laws were quickly dissolved by the collaborative efforts of demanding Czech citizens(Jarošová and Kybalová, 2002: 6).

In the 1980s, blue jeans represented not only the ideas of youth and freedom but were also considered the unofficial uniform of those against the newly reformed Socialist government. (Roberts, 2005: 141-42). Significant Anti-government activists, most notably future President Vaclav Havel, were known for wearing blue jeans during protests. Some scholars even believe that the manufacture and distribution of denim contributed heavily to the ultimate collapse of Communist and Socialist governments of Europe in the late 1980s. (Hershberg, 2004: B01). This theory also applies to Czechoslovakia’s “Velvet Revolutionary” Socialist fall in 1989; many witnesses described students, artists and intellectuals demanding political change while clad in indigo trousers (Horn and Kenney, 2004: 120-124).

Since the creation of a democratic Czech Republic in the early 1990s, the international denim industry has played an integral part in the stabilization of the country’s economy. Low property taxes and a fresh, new culture of consumerism have made it easy for overseas manufacturers like Levis, The Gap and Diesel to market jeans in several Czech cities, and the demand for Western denim imports continues to rise (True, 2003: 109.) Revenue from blue jeans and other consumer goods has put the Czech Republic in a difficult position however; independent distributors are being shut down, thereby foregoing much of the country’s textile manufacturing traditions. Without these foreign investors however, the country cannot recover from Socialism’s economic oversights (Havlik, 2000: 29-35). By making a once inaccessible product like blue jeans available on the market in mass quantity, the Czech Republic is slowly pulling itself up capitalistically by its own denim belt loops.

Through interpretation of primary sources such as newspaper articles, photographs and print ads, thorough analysis of secondary research along with interviews recounting the significance of blue jeans, there is no doubt that blue jeans have helped shape the Czech Republic’s national, cultural and political identity in the 20th century.